BW | listen and you'll see

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No artificial additives.  That’s been our approach to sound quality from the very beginning.  It’s exactly the same with the new CM Series.  By using our most refined drive unit technologies, developed for reference-standard speakers like the 800 Series, we’ve been able to hone the speaker down to its purest essentials.  The CM Series uses crossovers of remarkable simplicity and quality, so what you hear is that much closer to the sound of the original recording.  In its functional perfection and understated elegance, it’s nothing less than a masterpiece.  Pure and simple.

Treble.  The tweeter in the CM Series is tuned to perfection – and we’ve made sure the crossover sings in perfect harmony.  It’s a partnership that produces sweeter, truer high frequencies than you’d ever imagine possible.

Midrange Kevlar®.  It’s impervious to bullets, and just as good at stopping distorting speaker cone resonances dead in their tracks.  Combine it with high-end technological refinements like FST™, and you’ve got a midrange that’s anything but middle of the road.

Bass.  Rock-solid construction and a good set of lungs are the secret to bass with both power and control.  They’re qualities the CM Series has in spades.

Finishes.  We’ve paid a lot of attention to what goes on inside a CM Series speaker.  So it would have been a shame to forget about what’s happening on the outside.  Thanks to a range of high quality finishes and a painstaking attention to design detail, the CM Series looks every bit as fabulous as it sounds.

 

 

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Product Reviews

Bowers & Wilkins 800 Diamond - Cover star for Stereophile Magazine

The flagship model from the 800 Series Diamond has received a glowing review from Stereophile Magazine in the United States.

Reviewed by Kalman Robinson, the speaker was also the cover star for the May issue of the magazine.

Some of the highlights of the review include: “The 800 Diamond sounded absolutely devastating with really good recordings, particularly in its revelation of voices, both solo and in groups.”

“The 800 Diamond’s bass capabilities were both ample and tight, as revealed by the fourth movement of Mendelssohn’s Organ Sonata 1 in F… as the pedal notes descended, each shudder was not an ambiguous roar but had a clearly discernable pitch.”

In conclusion, the reviewer found the 800 Diamond “was, overall, simply a pleasure to listen to. Its overall honesty lets the 800 Diamond get the most information out of all recordings, without, as far as I could tell, any practical limitations on dynamic range.”

Click below to read the full review.

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WIN! Signed copy of 'The Rolling Stone Years'!

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